![reviews of blade runner 2049 reviews of blade runner 2049](https://static2.srcdn.com/wordpress/wp-content/uploads/2021/10/Harrison-Ford-Blade-Runner-2049.jpg)
Blade Runner 2049 starts with a pulpy noir setup that feels tonally perfect, but from there, the film careens from story point to story point without strong connective tissue. The film is that beautiful.Ĭinematographer Roger Deakins delivers some of the best work of his careerīut the depth of the visual world-building doesn’t extend to the story or characters. If he doesn’t win one for his work in Blade Runner 2049, the Academy Awards should just pack it up and call it a day. Roger Deakins has been one of the best cinematographers in the world for decades now, yet has somehow remained Oscar-less. I had the benefit of seeing the film projected in the high dynamic range Dolby Vision format, and it’s shocking just how much can be done when someone like Deakins is able to use that wider color gamut and increased contrast to sculpt a movie’s imagery. This LA isn’t as smoke-filled as every single location in Scott’s film was, but it delivers its own kind of mood. Image: Alcon EntertainmentĬinematographer Roger Deakins delivers some of the best work of his career, deftly evoking the look of the original while also bringing moments of extreme color and even more extreme contrast to the table. This is a clunky, lived-in world, where even fancy holographic systems still rely on old-fashioned machinery to do their tasks.
#Reviews of blade runner 2049 movie
It’s an evolved look, but the movie mostly stays away from that kind of cinematic default: the sleek, Apple Store-esque version of the future.
![reviews of blade runner 2049 reviews of blade runner 2049](https://lylesmoviefiles.com/wp-content/uploads/2017/10/Blade-Runner-2049-movie-review-K-walking.jpg)
Concept artist Syd Mead, whose work was so elemental in the original film, was one of many artists to collaborate with Villeneuve and production designer Dennis Gassner, and the result is a world that looks like a legitimate extension of the one Ridley Scott envisioned so many years ago. It re-creates the familiar rain-soaked grittiness of future Los Angeles, while adding to that palette with an assortment of new looks, locations, and designs. It’s a visual feast of the highest order. It’s impossible to discuss Blade Runner without touching on its aesthetics, and the trailers for this film simply haven’t done it justice. While “retiring” one old replicant, K stumbles upon a mystery that has the potential to permanently change the way people think about humans and replicants. But there are still renegade units in hiding, and that’s where blade runners like K come in. Niander Wallace (Jared Leto, playing the role like a kind of yogi cult leader) has been able to do what Tyrell never could: he’s created replicants that are happily subservient, and thus allowed to walk freely among humans once again. The Tyrell Corporation, which built the first androids, has come and gone, but a new company, run by a new genius with a god complex, has stepped in to take its place. But it’s certainly not for lack of trying.Īs can be inferred from the title, the new Blade Runner takes place 30 years after the original. The good news is that Villeneuve’s film is every bit the original’s equal when it comes to breathtaking visuals and design, and Ryan Gosling is perfectly cast as K, the newest blade runner on the hunt for renegade “skin jobs.” The film ultimately doesn’t have the resonance and pure invention of the original, and over its nearly three-hour run time, that becomes increasingly clear. Turnkey action sequels are fine for comic book movies, but a distinctive classic like Blade Runner demands an entirely different standard. The sequel has to live up to the unforgettable visual style of Scott’s film, while simultaneously forging its own identity, and defending its reason for existing in the first place. That leaves Denis Villeneuve’s Blade Runner 2049 with a pretty steep hill to climb.
#Reviews of blade runner 2049 android
Tired of killing others, he decides to go on the run with his android lover Rachael (Sean Young). Rick Deckard (Harrison Ford), an android hunter known as a “blade runner,” learns that all life has some sort of value. It’s a neo-noir thriller with an open ending, but from a character and thematic perspective, Scott neatly sewed up the story. No question is more important than “why?” Yes, we’re in a cultural moment where nearly everything is a sequel, prequel, reboot, or spinoff, but Scott’s dystopian film never organically called for a follow-up the way some films do. It’s been 35 years since Ridley Scott’s Blade Runner hit theaters, and when it takes this long for a sequel to roll around, a few questions need to be answered.