The movie's screenplay, credited to no fewer than nine people, positions the film securely in the realm of the Hang-Out Movie, where sticking around to watch boldly-defined, silly characters set loose to be themselves regardless of the situation. That ruthlessly streamlined plot synopsis covers up a lot of shagginess involving the friends' slacker attitude and a supporting cast of weirdly-shaped humans and animals, among them being not one but two people with giant circles for heads, and a white gorilla voice by Mark Hamill in the style of Harvey Fierstein.
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The regular show the movie movie#
If it's not clear from all of that (and really, nothing is clear from all of that), Regular Show: The Movie is driven primarily by a rather thoroughgoing "okay, so let's just throw a bunch of ideas out there and whatever" vibe. And they have go back even further, to high school, where Rigby told a lie that kicked-off the creation of a broken time machine that led to that same rift in space-time. The only way to do this is for a mortally wounded Rigby to travel back to the present, where his younger self and younger Mordecai are working a dead-end job as park groundskeepers. Quintel), formerly best friends, are on opposite sides of a galactic war to stop a rift in the space-time continuum for devouring all of existence. The film has the freaked-out energy of a kid on a sugar rush, and assembles its plot in roughly as coherent a manner: in the future, talking raccoon Rigby (William Salyers) and talking bluebird Mordecai (director & series creator J.G.
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It's a spin-off of an absurdist Cartoon Network series – that is, absurdist even by the standards of Cartoon Network – which was given the tiniest whisper of a theatrical release to ensure the publicity of articles like this one. Our tour of the films submitted for this year's Best Animated Feature Oscar now takes us to the most obscure American-made film on the list, Regular Show: The Movie.